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Assistant Professor of Music
D.M.A. 1996 (composition), Washington; M.A. 1986 (composition), SUNY Stony Brook; B.A. 1985 (music), Swarthmore
Email:
Personal Homepage: http://pages.nyu.edu/%7Eeh37/
Research Interests: Composition (including computer-generated), analysis of twentieth-century music, music of Ligeti, Second Viennese School, aesthetic criticism
Affiliations: International Computer Music Association; International Alliance for Women in Music; College Music Society; Society for Electro-Acoustic Music in the United States.
Fellowships/Honors: International Computer Music Association Commission Award for Berlin ICMC 2000; Seattle Arts Commission Artists Awards, 1997 and 1994; International Alliance of Women in Music, Search for New Music Winner, 1996-97; commission from Diffusion i Média, Montréal 1996; ORF International Prix Ars Electronica, Austria, Honorary Mention, Computer Music Category, 1995; Bourges Grands Prix Internationaux de Musique Electroacoustique, Residence Prize, 1994; Commissions from Abbie Conant, trombonist, 1999; The Esoterics vocal ensemble 1996 and 1994; Western European Travel Grant, University of Washington, 1995.
Selected Works:
Numbers (1997), for mezzo-soprano and computer-generated tape. Recorded on Computer Music Journal CD, Winter 1998.
Alchemy (1996), computer-generated music. Recorded on Minatures Concrètes, Diffusion i MéDIA (IMED 9837).
Vim (1995), recorded on CD-ROM accompanying The Csound Book. R. Boulanger, editor. MIT Press. 2000.
Tesserae (1994), computer-generated music. Selected performances: Rendez-vous Electro de l'Ina-GRM, Salle Olivier Messiaen Maison, Paris, France, December 1996; Synthèse '95, Bourges, France, June 1995. Florida Electroacoustic Music Festival, April 2000. Recorded on ORF Prix Ars Electronica ’95 CD.
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